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Comments on The DaVinci Code

 

 

            You are probably reading this article because you have just watched the movie version of Dan Brown’s bestseller, The DaVinci Code.  It was fun and exciting, wasn’t it? It was full of suspense, intrigue, and mystery. 

 

          It wasn’t just any ordinary mystery, either.  It was the mystery of all mysteries because it was about a person who has been at the core of Western civilization for two thousand years.  We have defined ourselves in the light of his message for mankind. That person is Jesus Christ.

 

          The big question everybody is asking is “Is it accurate?”  And the answer is, “Well, sort of no and sort of yes.”  Yes, Jesus was married and yes, there is an esoteric tradition in Christianity that involves ritual sex, a sacred lineage, and the destiny of mankind.

 

          No, the deity of Christ was not invented by Constantine and the Council of Nicea.  No, Christianity was not originally a Gnostic cult involving goddess worship.

 

          Yes, the Holy Spirit is the feminine person of the Triune Godhead. No, there is not a dualistic godhead of a god and goddess, or even of a God and Satan, for that matter.

 

          This whole website is about the kinds of questions raised by Brown’s books, but it is not a response to his books.  The Grail Church website has been up since 1998.  This ministry was started in the late-70s, although it was known by different names during those early years.  I began writing about a married Jesus in 1995 or 96.  Holy Blood, Holy Grail had been around for over a decade.  The books by Baigent et al were interesting but unsatisfying and speculative.  I found William Phipps’s book, Was Jesus Married?, to be much more rewarding.

 

          The best place to start for the most pertinent information relating to the evidence of a married Jesus and its religious significance is to go to this link: http://www.grailchurch.org/marriedjesus.htm. The first three chapters of my book Hierogamy & the Married Messiah are available free on-line by going to http://www.grailchurch.org/outline.htm.  Phipps’s book is reviewed in chapter three. There is only one passing reference to The DaVinci Code.

 

          Why?  Well, because I don’t believe there is really anything new in Brown’s book.  If you want factual information, a novel is not a good place to get it.  His book is riddled with errors.  It’s a fun read, but it’s a fictional novel. Remember that.

 

          The significance of the book is its phenomenal reception by the reading public.  It represents a great hunger for the kind of Jesus portrayed in its pages.  It represents a disappointment with organized religion and the desire for something different and real.

 

          However, there is a down side. In my opinion, people ignore the fact that The DaVinci Code ends with the Grail enthusiasts as the bad guys and the Catholic Church as the good guys.  Remember that?  Doesn’t that seem odd to you?

 

Historically, champions of the Grail have been painted by the Church as Satanists, Antichrists, and immoral libertines.  Today, Fundamentalist Christians are getting into the act and doing the work for Rome with a flare of paranoia that is typical of their reactionary mindset.  Even in the novel, the Church still remains “the normal” world, while the Grail is still weird.  The Jesuits – the traditional apologists of the Roman Church - couldn’t have handled the subject with any greater sophistication.

 

          I don’t think that Brown is consciously defending the religious establishment.  He is out to make a buck.  There is nothing wrong with that.  But his first novel, Angels & Demons, explains more his relationship with the Church.

 

          If you read that book, you will find, again, the Roman Catholic institution under attack - this time by a renegade within the Church who is using the lore of the Illuminati as a cloak for his power grab.  The end is the same: the Church is the “normal” world; the mystics are the freaks.

 

          To write his book with such detail, Brown needed cooperation from the Vatican.  He needed a glimpse at the inside workings of the Papal City, even down to its security protocol. Read the credits.

 

          Why is this important?  Well, think about it.  A novelist, like Stephen King, needs new and hard-to-get information to write a book that’s different from everybody else’s.  He needs inside information.

 

          Suppose I am a representative of a government agency with that inside information.  Am I going to give it to an author who is going to trash my agency?  Of course, not.  I want a flattering novel.  I want good publicity so that my superiors will be pleased with my decision to help this guy.  I might even demand a promise from the author that I can edit his novel or prevent its publication if I don’t like it.  If the information is sensitive enough, I might even be willing to murder the him “to protect national security.”

 

          You think I’m joking?  I think most people have forgotten what the price of truth can sometimes be.  We watch movies and documentaries, thinking we’re getting the straight scoop.  We have no idea that we are getting somebody’s propaganda.  That’s why there are TV commercials.

 

          Is Brown giving us propaganda?  I think so.  He seems to be an iconoclast.  He seems to want us to believe an alternative view of Church history.  But he must also satisfy the “sensitivities” of the Church.  So, he makes the most informed person in the script – the Grail aficionado – the freaking lunatic.  In the end we have an encounter at Rossylyn Chapel . . . a dud ending in my view.  The notion that Jesus was married and had descendants does not change the world in The DaVinci Code.  Everything stays the same, including the Church.  It becomes a question of existential faith.  What is real to me is what matters.  If I want to believe Jesus was married, fine, just don’t get into it too deep. I might end up like Sir Leigh Teabing.

 

          It’s the same tactic used in the investigation of UFO’s.  Turn the subject into a comic strip or a TV show like the “X-Files” and the general public will treat it as a passing fad. 

 

You need to realize that the matter of the Holy Grail is deeper in the subconscious experience of our Western heritage.  It is not a passing fad.  It keeps coming back.  The Grail legends were a latent protest to the fact that we have a major world religion founded by a eunuch. It has addressed an unresolved psychological dichotomy that has profound implications for our species.  It deserves to be treated seriously.

 

-         James Wesley Stivers james@grailchurch.org

 

 

 

 

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